Creative Doing

You’re reading an excerpt of Creative Doing, by Herbert Lui. 75 practical techniques to unlock creative potential in your work, hobby, or next career. Purchase now for instant, lifetime access to the book.

Preliminary work is not optional, and every version of preliminary work is crucial for improving the work we’re making. This stage is far too early to demand perfection; it’s best to keep expectations low, to refrain from self-criticism, and to support psychological safety (the feeling that it’s okay to make mistakes) to allow every single detail of the idea to flow out.

One of the most fascinating properties of the creative process is, every version of a piece of work can be seen as preliminary work. While you can finish different versions and variations of a project, there doesn’t have to be a final sense of completion. Pablo Picasso said, “If it were possible … there would never be a ‘finished’ canvas but just different states of a single painting.” And here’s W. H. Auden paraphrasing a line of Paul Valéry’s: “A poem is never finished, only abandoned.”

Dacoury Natche and his collaborators worked on the song “Time” on Childish Gambino’s 3.15.20 album for nearly two years. Natche said there are multiple versions of the song, including one that sounds more like a party, and another that sounds more like a live version. He was willing to commit that time because the song held potential. He described his mindset: “Let’s just try as many versions as we can because I know this song feels like something special.”

Share this saved highlight!